Tuesday, July 23, 2013

100 books to read before you die

100 books to read before you die

From futuristic worlds to bloodcurdling battlegrounds and Regent-era romances, books have the power to pull us out of the here and now and transport us to a different place.
Every reader can name at least one seminal book, a novel or work of non-fiction that resonated with them at a certain time and which lingered in their mind afterwards.
What made that one title so pivotal is usually subjective and so it's been a long and difficult task to come up with a recommended reading list of 100 books.
"Rather than try to stipulate a list of the top 100 books of all time, we have created a list of the books we think everyone should read before they die," says books editor Fran Metcalf.
"A kind of books bucket list, if you like."
Click here to see the full list

From best-selling bonkbusters like Fifty Shades of Grey to Homer's Greek tragedy The Iliad and works of Australian author Patrick White, the list encompasses all genres and eras to ensure there's a balanced mix of old and new, real and fantastic, foreign and homegrown.
Canvassing publishers, retailers, reviewers and readers has helped shape the final run-down, which has been broken into 10 categories including war, crime, love, fantasy and Australian.
"As well as choosing books based on literary merit, we have included those that have become an important part of popular culture, such as Fifty Shades of Grey," says books editor Blanche Clark.
"Choosing the top 10 Australian books was an unenviable task. The quality and breadth of Australian writing is extraordinary, but it came down to the books that have helped shape the identity of this country and the ones that have lingered in our hearts and minds."
When it comes to love, Jane Austen's Pride and Prejudice tops the list for its irresistible roller-coaster romance between Elizabeth Bennet and Mr Darcy while others deserving a place include Stephenie Meyer's Twilight, if only to experience first-hand what kickstarted the new-age global trend for vampire love stories.
Renewed interest in books like The Hobbit have seen a regeneration of the fantasy genre in recent years but Mary Shelley's iconic Frankenstein holds its own on the list next to Tolkien's tale of Bilbo Baggins and his precious, magic ring.
Likewise, George Orwell's 1984 and The War of the Worlds - both science fiction classics - easily stand the test of time against The Hitchhiker's Guide to the Galaxy and other titles on the sci-fi list.
The Girl with the Dragon Tattoo - the first of Stieg Larsson's Millenium trilogy takes top place in the crime category - but old favourites like Agatha Christie's And Then There Were None and Ian Fleming's From Russia With Love also made the mix alongside In Cold Blood, Truman Capote's graphic account of the murders of a farmer and his family in Kansas in the 1950s.

Tuesday, July 16, 2013

Don't Burn Your Books—Print Is Here to Stay. By NICHOLAS CARR

Lovers of ink and paper, take heart. Reports of the death of the printed book may be exaggerated.
Ever since Amazon introduced its popular Kindle e-reader five years ago, pundits have assumed
that the future of book publishing is digital. Opinions about the speed of the shift from page to
screen have varied. But the consensus has been that digitization, having had its way with music
and photographs and maps, would in due course have its way with books as well. By 2015, one
media maven predicted a few years back, traditional books would be gone.
Half a decade into the e-book revolution, though, the prognosis for traditional books is suddenly
looking brighter. Hardcover books are displaying surprising resiliency. The growth in e-book sales
is slowing markedly. And purchases of e-readers are actually shrinking, as consumers opt instead
for multipurpose tablets. It may be that e-books, rather than replacing printed books, will
ultimately serve a role more like that of audio books—a complement to traditional reading, not a
How attached are Americans to old-fashioned books? Just look at the results of a Pew Research
Center survey released last month. The report showed that the percentage of adults who have read
an e-book rose modestly over the past year, from 16% to 23%. But it also revealed that fully 89% of
regular book readers said that they had read at least one printed book during the preceding 12
months. Only 30% reported reading even a single e-book in the past year.
What's more, the Association of American Publishers reported that the annual growth rate for
e-book sales fell abruptly during 2012, to about 34%. That's still a healthy clip, but it is a sharp
decline from the triple-digit growth rates of the preceding four years.
The initial e-book explosion is starting to look like an aberration. The technology's early adopters,
a small but enthusiastic bunch, made the move to e-books quickly and in a concentrated period.
Further converts will be harder to come by. A 2012 survey by Bowker Market Research revealed
that just 16% of Americans have actually purchased an e-book and that a whopping 59% say they
have "no interest" in buying one.
Meanwhile, the shift from e-readers to tablets may also be dampening e-book purchases. Sales of
e-readers plunged 36% in 2012, according to estimates from IHS iSuppli, while tablet sales
exploded. When forced to compete with the easy pleasures of games, videos and Facebook on
devices like the iPad and the Kindle Fire, e-books lose a lot of their allure. The fact that an e-book
can't be sold or given away after it's read also reduces the perceived value of the product.
Beyond the practical reasons for the decline in e-book growth, something deeper may be going on.

We may have misjudged the nature of the electronic book.
From the start, e-book purchases have skewed disproportionately toward fiction, with novels
representing close to two-thirds of sales. Digital best-seller lists are dominated in particular by
genre novels, like thrillers and romances. Screen reading seems particularly well-suited to the kind
of light entertainments that have traditionally been sold in supermarkets and airports as
mass-market paperbacks.
These are, by design, the most disposable of books. We read them quickly and have no desire to
hang onto them after we've turned the last page. We may even be a little embarrassed to be seen
reading them, which makes anonymous digital versions all the more appealing. The "Fifty Shades
of Grey" phenomenon probably wouldn't have happened if e-books didn't exist.
Readers of weightier fare, including literary fiction and narrative nonfiction, have been less
inclined to go digital. They seem to prefer the heft and durability, the tactile pleasures, of what we
still call "real books"—the kind you can set on a shelf.
E-books, in other words, may turn out to be just another format—an even lighter-weight, more
disposable paperback. That would fit with the discovery that once people start buying digital
books, they don't necessarily stop buying printed ones. In fact, according to Pew, nearly 90% of
e-book readers continue to read physical volumes. The two forms seem to serve different
Having survived 500 years of technological upheaval, Gutenberg's invention may withstand the
digital onslaught as well. There's something about a crisply printed, tightly bound book that we
don't seem eager to let go of.

—Mr. Carr is the author of "The Shallows: What the Internet Is Doing to Our Brains."
A version of this article appeared January 5, 2013, on page C2 in the U.S. edition of The Wall
Street Journal, with the headline: Don't Burn Your Books—Print Is Here to Stay.